Unless otherwise specified, subscriptions begin immediately upon receipt of payment, and include the next two consecutive issues. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. Research in Film and History welcomes contributions written in English. short biography (100–150 words) where you can include your recent publications and current projects (please find examples here: keywords that include: up to six general keywords, up to three film titles, and up to three names that are central for your article. The screening report is a feasibility assessment; it calculates both the degree of editing a manuscript would require and the value our readers would derive from the edited version. (We do not automatically transmit reviews to authors whose manuscripts have been rejected.). Film-Philosophy is an international, open access and peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.. Film-Philosophy considers articles on any subject relating to film and philosophy. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Article Title: 14 point, sentence case, and no more than 20 words (including sub-title). • APC-free Policy New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. The journal will accept manuscripts in MLA, APA, or Chicago style if this format is used in your scholarly discipline. The journal welcomes unsolicited, original submissions from academics around the world about science fiction in all media (literature, film, television, videogames, art, oral history, etc.). As a result, however, some rejected manuscripts are never affirmed when they should have been. It also leads to the possibility of duplicate publication, which diminishes the distinctiveness and originality on which academic journals depend for their survival. Please read the full text of the Creative Commons Licensing Statement here. Film-Philosophy is interested in the ways in which films develop and contribute to philosophical discussion. Bright Lights began life as a nominally quarterly print publication in 1974, published and edited by Gary Morris. Journal of American Studies seeks to critique and interrogate the notion of "America", pursuing this through international perspectives on the history, literature, politics and culture of the United States. This journal considers motion pictures under the following rubrics: 1. After either the first or second stage of peer-reviewing, an author whose submission has been rejected may ask to receive the information–typically condensed and transferred to e-mail–from the reviewing report(s). Submission Guidelines — Federal History Manuscripts can be submitted electronically in Microsoft Word to the journal editors at federalhistory@gmail.com.They should contain the author’s name at the top of the first page only, as they will be sent to reviewers. The journal offers an international platform for cutting-edge debate, new approaches, and interdisciplinary perspectives on the intersection between the two disciplines film … All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. Please indicate in the form where images/video/audio clips should appear in the text. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. Film & History, which is a non-profit, peer-reviewed journal affiliated with the American Historical Association and published continuously since 1971, is published twice each year, in the summer and the winter. Film & History has been in publication for over fifty (50) years and is described in detail at its website:its web site: www.filmandhistory.org. For themed issues, please check back later for updates on open calls. Volume 44, No. Questions about submissions may be directed to the editor: Loren PQ Baybrook, Editor, Film & HistoryLawrence University, Memorial Hall B5711 E. Boldt WayAppleton, WI 54911USA. The JAH welcomes submissions of articles on all topics related to American history, as well as suggestions for possible historiographical essays, round tables (sets of related articles), "Textbooks and Teaching" themes, and online conversations ("Interchange").. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. Abstract: For articles that require it, the abstract should not exceed 400 words. Contributions come from all parts of the world. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. We invite individuals from all ages, backgrounds, cultures, and socio-economic circumstances to be a part of living history by keeping a journal in 30, 60, 90, 120-day, or any longer OR shorter increments, and contributing their journalistic efforts to the National Women’s History Museum. The Journal does not accept unsolicited reviews. We welcome new submissions. Authors should follow the guidelines below before submitting their article, book review, or dissertation abstract. Research in Film and History reserves the right to reject an article at any stage of the editing process.Research in Film and History reserves the right not to publish an already revised article. Description: The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. These changes will be submitted to authors for approval. No full-length articles or reviews (or significant portions thereof) may be reproduced in any digital or online format for either open-access or proprietary distribution to consumers. The journal was renamed (from Cinema Journal) in October 2018.. JCMS ’s basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We prefer to keep the process open to the best scholarship. Film Criticism is a peer-reviewed, online publication bringing together scholarship in the field of cinema and media studies since 1975. Submitting an article to multiple journals simultaneously leads editors (and peer reviewers) to commit scarce resources of time and energy to papers that may be withdrawn because of acceptance elsewhere. Submission of work for potential publication in the journal will be taken as evidence of the author’s awareness, understanding, and acceptance of the policies outlined here. In 1995, the magazine went online exclusively as brightlightsfilm.com. Issues are published three times a year and each issue will feature 8 to 12 academic articles. The first stage is a screening report, indicating whether the manuscript is publishable in our journal–a manuscript might be deemed publishable but not presently for our journal (see “Levels of rejection” below). History and Theory accepts no responsibility, and contributors themselves must bear full responsibility, for opinions expressed in contributions published in the journal.Nevertheless, because the journal publishes no letters to the editor, nor any other exchanges in which comments on individuals may be rebutted by them, we have a responsibility not to publish injurious comments. • Submission Process For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for a publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes; and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and intended to be used in systematic instructional activities. A work may be indexed or deposited, but it may not be made available to the public except in printed form or through our online distributors. Subscription to Film & History is not required as a condition of … Home > The Journal of American History > Submissions . Please see http://www.copyright.gov/circs/circ09.pdf (1976 Copyright Act), page 2: Who Is the Author of a Work Made for Hire? By accepting publication, a contributor expressly agrees that his or her published work shall be considered a work made for hire; acceptance constitutes “a written agreement between the parties[,] specifying that the work is a work made for hire” by an “independent contractor.” Please see part 2 of the statutory definition (available at http://www.copyright.gov/circs/circ09.pdf) : Section 101 of the copyright law defines a “work made for hire” as, (1) a work prepared by an employee within the scope of his or her employment or. Twitter Many publishers prefer not to say that a manuscript is “publishable” if it has been rejected; they note its virtues but then emphasize its limitations, leaving an author to believe that the work had not reached a certain level of quality. Films which reflect history; Collegial Support of the Journal. Please submit abstracts (max. Please consider the following Style Guide for Authors. In the case of acceptance, final decisions about the style of the published version of an author’s manuscript represent a compromise between editors and authors. Each submitted text that is deemed eligible for publication is sent for double blind peer review to external reviewers, experts in a particular field or subject. This is in accordance with the BOAI (Budapest Open Access Initiative) definition of open access. Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. The best contemporary scholarship is represented. If a work is a work made for hire, the employer or other person for whom the work was prepared is the initial owner of the copyright unless there has been a written agreement to the contrary signed by both parties. Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. If you have any questions about this, please contact Marybeth Hamilton, Administrative Editor, at historyworkshopjournal@gmail.com. • Plagiarism Policy • Contact. Every woman and girl’s story is important. Film & History does not, therefore, accept submissions of articles that are under consideration by other journals. There are two forms of rejection: publishable and not-publishable. Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. While no major alterations will be carried out without the author’s consent, the editors reserve the right to make minor editorial changes to any format, punctuation, grammar, or spelling errors. Film History publishes original research on the international history of cinema, broadly and inclusively understood. Subscription to Film & History is not required as a condition of submission or of publication. But the re-published work may not, under any circumstances, be made available online. We strongly encourage participants of the annual meeting of the WSFH to submit revised versions of their papers for publication in The Journal of the Western Society for French History. (We do, of course, encourage contributors to support the journal through a subscription and through participation in our annual conferences.). Copyright and publishing rights on articles is retained by the author(s). Research in Film and History does not levy article processing charges (APCs) or any other author fees to submit or publish an article. There are up to 7 steps for you to follow to submit your manuscript. Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. Facebook Who Is the Owner of the Copyright in a Work Made for Hire? 300 words) in MS Word file formats to film-history[AT]uni-bremen.de The Journal is also accepting outside submissions so we also encourage authors to consider submitting an article to the journal even if they did not present it at the annual meeting. All articles are distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Feedback will be provided to the author and, if considered necessary, suggestions and corrections will be given using Word’s Track Changes feature. • Archiving Policy Search in: This Journal Anywhere Advanced search On the basis of the reviews, the editors then make a decision on whether to accept without any changes, accept after minor revision, accept after major revision, send for a second peer review after major revision, or reject an article. List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 You should prepare your manuscript according to the instructions below, and submit your manuscript online by clicking here. Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. In an era when academic and popular conceptions of history are increasingly presentist in focus, a situation reflected in the preponderance of submissions to the AHR on the nineteenth and twentieth centuries, we especially seek manuscripts in ancient, medieval, and early modern history. FQ PRINT EDITION SUBMISSION GUIDELINES FQ welcomes both established scholars and fresh voices that bring new perspectives to bear on discourses of visual representation rooted in issues of diversity, race, lived experience, gender, sexuality, and transnationalism. Description: Film History publishes original research on the international history of cinema, broadly and inclusively understood. Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. Films which interpret history; 2. Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. If deemed publishable for our journal, the manuscript is then forwarded to the second stage, a longer review, which measures the manuscript more deeply against current scholarship in the field. Film & History reserves its designation as “author” primarily for copyright purposes; otherwise, work made for hire is attributed to the individual contributor. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. Film and book titles in your manuscript should be italicized rather than underlined. Publishers are insulated in this way from charges of arbitrariness. Submission Guidelines. Articles for New Approaches section are accepted on an ongoing basis and published throughout the year. All material to be considered for publication in History Workshop Journal should be submitted in electronic form via the journal’s new online submission system. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Fair Use and Copyright (“Work Made for Hire”). Research in Film and History does not levy any submission or article processing charges (APCs), or any other fees to publish, access the Journal's website, or read the published materials. Instagram Your submission should preferably be emailed to us as a Microsoft Word document (with one pica indents, no space between paragraphs, and with top and bottom margins of 1” and left and right margins of 1.25”). • Style Guide for Authors We strive to make the author’s argument as effective as possible. Submissions. • Copyright and Licensing Policy Further changes may be then suggested by the General Editor. Author Details: Do not list your name or institutional affiliation on the manuscript itself. For themed issues, please check our News section to read announcements about open calls for articles. If the journal receives a request from an author of a Film & History article (or review) for print re-publication in a new work by that author (e.g., in a book-length compilation), we typically grant the request, although we ask that publisher representing the author contribute an institutional subscription ($90) as a courtesy. The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. After your article is accepted for publication, please also provide: For any audio and visual material used in your text, please download and fill this form. Otherwise, upon receipt of a submission, Film & History retains the right of publication, by which any submitted manuscript, after acceptance and editing (see “Peer Reviewing and Replies to the Author”), may be printed in the journal (including its electronic format), at the discretion of the editor, to satisfy the publication needs for a scheduled topic or issue. • Peer Review and Editorial Process We lean, of course, toward our authors’ choices in most cases, but we reserve the right to edit any submission for greater economy of expression and elegance of language. Because of scheduling constraints, a contributor must reply to F&H within 10 business days after transmission of the edited manuscript; otherwise, it will progress, at the editor’s discretion, toward publication in its edited form. And/Or its examples 12 academic articles film history journal submission in this way from charges of arbitrariness on an ongoing basis published... 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